Library
LucasWilkinson.com
Collection Total:
2,296 Items
Last Updated:
Dec 14, 2018
Cargo in the Blood
Russell Mills
H. R. Giger's Necronomicon
H. R. Giger
H. R. Giger's Biomechanics
H. R. GigerSwiss fantasist H.R.Giger conducts you through his diverse alien landscapes, inhabited by the spectral offspring of his vivid dreams and darkest nightmares.
Joel-Peter Witkin: A Retrospective
Germano CelantFew living photographers are as consistently controversial and provocative as Joel-Peter Witkin, whose work elicits hostility and admiration in equal measure. Shocking and compelling, the photographs in this retrospective collection reach to the outer limits of human nature. 100 full-page reproductions, printed in four colors.
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Arnie Fenner, Cathy Fenner
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Arnie Fenner, Cathy FennerFrank Franzetta's paintings and illustrations have set the standard for fantasy artists for the past 50 years. His art continues to exert a tremendous influence over collectors of classic comic and sci-fi art, who pay record-setting auction prices for his original works. This lushly produced, large-format retrospective follows Frazetta's career from his apprenticeships at various publishers in the 1940s, to his 1950s breakthrough with the "Buck Rogers" and "Lil' Abner" series, to his powerfully erotic compositions for the works of Edgar Rice Burroughs and the famous "Conan" illustrations for Robert E. Howard.
Legacy
Arnie Fenner, Cathy FennerFrank Frazetta's paintings and illustrations have set the standard for fantasy artists for the past 50 years. This collection focuses on his influence in a variety of media and genres and on his place in 20th century art history. Coedited by Hugo Award-winning editor Arnie Fenner, it includes many of Frazetta's most memorable paintings as well as revised and previously unpublished works. The art is accompanied by the artist's own observations and commentary by a number of his contemporaries.
Testament
Arnie Fenner, Cathy FennerThis final entry in Arnie and Cathy Fenner’s Frazetta trilogy features 150 full-color paintings by the renowned artist and illustrator, ranging in subject matter from barbarian battles to erotica to religious art. Frank Frazetta’s 50-year career is celebrated not only in these museum-quality reproductions of his art but also in photos from his personal archives, including shots of George Lucas visiting the Frazetta estate and Bo Derek posing for one of his alluring femme fatales. Comments and anecdotes by the artist and the editors, along with testimonials from graphic-art luminaries Dave Stevens, Bruce Timm, and Bernie Wrightson, flesh out this portrait of the artist.
In the Shadow of No Towers
Art SpiegelmanFor Art Spiegelman, the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers, his first new book of comics since the groundbreaking Maus, is a masterful and moving account of the events and aftermath of that tragic day.

Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda.

He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey—with his singular artistry and his characteristic provocation, outrage, and wit—the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy.
Theatre D'Amour
Carsten-Peter WarnckeThis volume of late 16th and early 17th century love emblems—including mythological, allegorical, and even erotic prints—was amassed around 1620 by an unknown lover. These 143 folios are reproduced in their original size (25.3 x 18.5 cm), and are joined by an Introduction and accompanying descriptions by the author.
Historic Photos of Tucson
Mike SpeelmanThe name Tucson originates from a Spanish word meaning Black Base,"" a reference to the mostly volcanic mountains on the west side of the city. From 1867 to 1879, Tucson was the capital of the Arizona Territory and the University of Arizona, located in Tucson, was founded in 1885. This book follows life, government, events and people important to Tucson history and the building of this unique city. Spanning over two centuries and two hundred photographs, this is a must have for any long-time resident or history lover of Tucson! ""
Wangechi Mutu: A Fantastic Journey
Trevor SchoonmakerThis richly illustrated full-color catalog accompanies the first major solo museum exhibition and most comprehensive survey of the artist Wangechi Mutu's work, on view at the Nasher Museum of Art at Duke University from March 21, 2013, through July 21, 2013, before traveling to the Brooklyn Museum. Born in Nairobi, Kenya, in 1972, and now based in Brooklyn, Mutu renders the complex global sensibility of the early twenty-first century through a distinctly hybrid aesthetic. She combines found materials and magazine cutouts with sculpture and painted imagery, sampling from sources and phenomena as diverse as African traditions, international politics, the fashion industry, and science fiction. In her work, Mutu marries poetic symbolism with sociopolitical critique to explore issues of gender, race, war, colonialism, and, particularly, the exoticization of the black female body.

The many images included in Wangechi Mutu: A Fantastic Journey highlight the most important and iconic works that Mutu has created since the mid-1990s, as well as portray new collages, drawings, videos, and site-specific installations. The catalog also offers an intimate look into her sketchbooks and includes an interview with the artist conducted by the exhibition's curator, Trevor Schoonmaker. Essays by Schoonmaker, the art historian Kristine Stiles, and the critic, musician, and producer Greg Tate are paired with an illustrated chronology of Mutu's work.

Publication of the Nasher Museum of Art at Duke University
Diableries: Stereoscopic Adventures in Hell
Brian May, Denis Pellerin, Paula FlemingA devilish 1860s sensation - finally unleashed on the 21st century! In France, around 1860, from the loins of a traditional national fascination with all things diabolical, was born a new sensation - a series of visionary dioramas depicting life in a strange parallel universe called ENFER - Hell - communicated to an eager audience by means of stereoscopic cards, to be viewed in the stereoscopes which had already become popular in the 1850s. This 3-D phenomenon, which fascinated a nation for 40 years, is now yours to share. This book, the fruit of half a lifetime's study by three impassioned authors, brings every one of the published Diableries into the 21st century for the very first time. Some of them are so rare that at the time of writing there is no known complete collection of the originals of these masterpieces. But this book enables all but two of the 182 scenes to be enjoyed just as their creators intended, in magnificent 3-D, using the high-quality patent OWL stereoscopic viewer supplied.
Criterion Designs
The Criterion CollectionA lavishly illustrated coffee-table book celebrating thirty years of artwork from the Criterion Collection. The most exciting names in design and illustration today apply their talents to some of the most important and influential films of all time. This volume gathers highlights from designs commissioned by the Criterion Collection, featuring covers, supplemental art, and never-before-seen sketches and concept art plus a gallery of every Criterion cover since the collection's first laserdisc in 1984. From avant-garde experiments to big-budget blockbusters, cult favorites to the towering classics of world cinema, the depth and breadth of what film can be is on display in these striking images. Whether painstakingly faithful re-creations or bold reimaginings, the diverse designs collected here offer new ways for cinephiles and design aficionados alike to engage with the world's greatest filmmakers .

Complete list of featured artists:
Aesthetic Apparatus, Michael Allred, Eric Chase Anderson, Marian Bantjes, Michael Boland, Vera Brosgol, Evan Bryce, Art Chantry, Daniel Clowes, Tavis Coburn, Josh Cochran, Jorge Coelho, Darwyn Cooke, Béatrice Coron, Rodrigo Corral, Jordan Crane, Akiko Crowther, Fred Davis, Jack Davis, Paul Davis, Ian Dingman, David Downton, Ming Doyle, Laurent Durieux, Marcel Dzama, Marc English, Malika Favre, Gary Fernandez, Sean Freeman, John Gall, Robert Goodin, Geoff Grandfield, Turlo Griffin, Polly Guo, Sarah Habibi, Jason Hardy, Jaime Hernandez, Jessica Hische, Samuel Hiti, Human After All, Robert Hunt, Paul Jackson, Meredith Jenks, Rob Jones, Neil Kellerhouse, Victor Kerlow, Matt Kindt, Frank Kozik, Caitlin Kuhwald, Yann Legendre, Patrick Leger, Ron Lesser, Luba Lukova, Ha C. Ly, Andrew MacLean, Gregory Manchess, Benjamin Marra, David Merveille, F. Ron Miller, Scott Morse, Bill Nelson, Yuri Ono, Sean Phillips, David Plunkert, Paul Pope, Jesse Marinoff Reyes, Jim Rugg, Greg Ruth, Seth, Leanne Shapton, Jay Shaw, Yuko Shimizu, Bill Sienkiewicz, Eric Skillman, Sam Smith, Edward Sorel, Jhomar Soriano, Tyler Stout, Jillian Tamaki, Adrian Tomine, Riccardo Vecchio, Maurice Vellekoop, Ricardo Venâncio, Angie Wang, Barnaby Ward, Sam Weber, Kent Williams, Connor Willumsen, Ron Wimberly, George Wu, Lucien S. Y. Yang, Kate Zambrano, Danijel Zezelj, Vania Zouravliov
Murderous Passions: The Delirious Cinema of Jesús Franco
Stephen Thrower, Julian GraingerThis book – the first in a two-volume set – delves into the first half of Franco's career and shines a light into the darkest corners of the Franco filmography and uncovers previously unknown and unsuspected facts about their casts, crews and production histories.

Jesús 'Jess' Franco is an iconic figure in world cinema. His sexually charged, fearlessly personal style of filmmaking has never been in vogue with mainstream critics, but for lovers of the strange and sado-erotic he is a magician, spinning his unique and disturbing dream worlds from the cheapest of budgets.

In the world of Jess Franco freedom was the key, and he pushed at the boundaries of taste and censorship over and over again, throughout an astonishingly varied career spanning sixty years. The director of more than 180 films, at his most prolific he reached a supercharged frenzy that yielded as many as twelve films per year, making him one of the most prolific filmmakers of all time.

Franco was the winner of a Lifetime Achievement prize at the 2009 Spanish Goya Film Awards, but his appeal does not depend upon mainstream respect; instead fans around the world have embraced his cinema, first on video and then more and more frequently on DVD and Blu-Ray. Where once he was castigated for slapdash haste, many fans today not only accept but even revel in the rough edges of his work. His delirious improvisations and raw, punkish spontaneity turn the basics of popular cinema, sex and violence, into a whirl of sensations, a seductive and bewitching spectacle that could only be the work of one man.

Franco's taste for the sexy and horrific, his lifelong obsession with the Marquis De Sade and his roving hand-held camera style birthed a whole new strain of erotic cinema. Disturbing, exciting and defiantly avant-garde, films such as Necronomicon, Vampyros Lesbos, Virgin Among the Living Dead and Venus in Furs are among the jewels of European horror, while a plethora of multiple versions, re-edits and echoes of earlier works turn the Franco experience into a dizzying hall of mirrors, further entrancing the viewer who dares enter Franco's domain.

Stephen Thrower has devoted five years to examining each and every Franco film. This book – the first in a two-volume set – delves into the first half of Franco's career: from his avant-garde comedy Tenemos 18 años in 1959, through the groundbreaking surgical horror story The Awful Dr. Orlof and the art-horror masterpiece Necronomicon, to his grisly psycho-killer opus Exorcism in 1974. Ably assisted by the esteemed critic and researcher Julian Grainger, Thrower shines a light into the darkest corners of the Franco filmography and uncovers previously unknown and unsuspected facts about their casts, crews and production histories.

Unparalleled in scope and ambition, Murderous Passions brings Franco's career into focus in a landmark study that aims to provide the definitive assessment of Jess Franco's labyrinthine film universe.
Jim Shaw: The End Is Here
Natalie Bell, Dan Nadel, Tony Oursler, Massimiliano Gioni, Gary Carrion-MurayariA long-overdue survey of an essential West Coast artist whose humorous works delve into America’s underbelly and evolving counterculture. Over the past thirty years, Jim Shaw has become one of America’s most visionary artists, moving between painting, sculpture, and drawings, while building connections between his own psyche and the larger political, social, and spiritual history of America. Shaw’s imagery is mined from comic books, record covers, conspiracy magazines, obscure religious pamphlets, and other cultural refuse to produce a portrait of the American subconscious out of his personal obsessions.  
Shaw, along with fellow Michigan native Mike Kelley, moved to California in the 1970s to attend Cal Arts and was one of a number of notable artists to emerge from the school in the early 1980s. Shaw’s work is distinguished by rigorous formal and structural analyses of neglected forms of vernacular culture. Accompanying a major exhibition, this is the first major monograph devoted to the entirety of the artist’s unique, multifaceted career.
Medieval Monsters: Terrors, Aliens, Wonders
Sherry Lindquist, Asa Simon MittmanMonsters possess transformative powers, rendering them at once profoundly dangerous and utterly fascinating. Medieval Monsters explores the cultural importance and rich variety of monstrosities in the art of the Middle Ages, with examples drawn from the Morgan Library & Museum's renowned collection of illuminated manuscripts. While presenting a lively array of strange beauties and frightful anomalies―demons and dragons, centaurs, and unicorns―the authors reveal how monsters played a central role in medieval societies. The volume has three sections. "Terrors" features familiar monsters such as demons, dragons, and hell-mouths. These fearful enemies are often depicted in battle with heroes―the fiercer the monster, the more powerful its victor. "Aliens" examines how groups of people were visualized as monstrous; women, Jews, Muslims, the poor, and the mentally ill were marginalized in medieval society, as reflected in their representation in art. "Wonders" presents monsters' fascinating ability to inspire wonder and awe. From centaurs to giants to grotesque hybrids, these beasts lack codified meanings, yet their strange beauty and frightful abnormality inspire us to marvel. A preface by award-winning fantasy fiction writer China Miéville argues for the enduring relevance of monsters in today's world.
Flowers of Perversion: The Delirious Cinema of Jesús Franco
Stephen ThrowerThe disturbing, exciting, and defiantly avant-garde films of Jesús “Jess” Franco, director of such films as Vampyros Lesbos and Lilian the Perverted Virgin.

Jesús “Jess” Franco is an iconic figure in world cinema. His sexually charged, fearlessly personal style of filmmaking has never been in vogue with mainstream critics, but for lovers of the strange and sado-erotic he is a magician, spinning his unique and disturbing dream worlds from the cheapest of budgets.

In the world of Jess Franco freedom was the key, and he pushed at the boundaries of taste and censorship repeatedly, throughout an astonishingly varied career spanning sixty years. The director of more than 180 films, at his most prolific he worked in a supercharged frenzy that yielded as many as twelve titles per year, making him one of the most generative auteurs of all time.

Franco's taste for the sexy and horrific, his lifelong obsession with the Marquis De Sade, and his roving hand-held camera style launched a whole new strain of erotic cinema. Disturbing, exciting, and defiantly avant-garde, films such as Necronomicon, Vampyros Lesbos, Virgin Among the Living Dead, and Venus in Furs are among the jewels of European horror, while a plethora of multiple versions, re-edits and echoes of earlier works turn the Franco experience into a dizzying hall of mirrors, further entrancing the viewer who dares enter Franco's domain.

Stephen Thrower has devoted five years to examining each and every Franco film. This book―the second in a two-volume set―delves into the latter half of Franco's career, covering titles including Shining Sex, Barbed Wire Dolls, Swedish Nympho Slaves, and Lilian the Perverted Virgin.

Assisted by the esteemed critic and researcher Julian Grainger, Thrower shines a light into the darkest corners of the Franco filmography and uncovers previously unknown and unsuspected facts about their casts, crews, and production histories.

Unparalleled in scope and ambition, Flowers of Perversion brings Franco's career into focus with a landmark study that aims to provide the definitive assessment of Jess Franco's labyrinthine film universe.