Alfred Hitchcock: The Masterpiece Collection    Universally recognized as the Master of Suspense, the legendary Alfred Hitchcock directed some of cinema's most thrilling and unforgettable classics. Alfred Hitchcock: The Masterpiece Collection features 15 iconic films from the acclaimed director’s illustrious career including Psycho, The Birds, Rear Window, Vertigo, North by Northwest and many more. Starring Hollywood favorites such as James Stewart, Cary Grant, Grace Kelly, Paul Newman, Janet Leigh, Anthony Perkins, Tippi Hedren, Sean Connery and Kim Novak, this definitive collection showcases a true cinematic master at his best. Featuring over 15 hours of insightful bonus features plus an exclusive collectible book, each film has been digitally restored from high resolution film elements for the ultimate Hitchcock experience.Dziga Vertov Collection  The Complete Jean Vigo  À propos de Nice, 1930, 23 min, B&W, Silent, 1.33:1 Taris, 1931, 9 min, B&W, Mono, In French with English subtitles, 1.19:1 Zéro de conduite, 1933, 44 min, B&W, Mono, In French with English subtitles L’Atalante, 1934, 85 min, B&W, Mono, In French with English subtitles, 1.33:1 Fantasia  By Brakhage: An Anthology, Volume One  Criterion is proud to present 26 masterworks by Stan Brakhage in high-definition digital transfers made from newly minted film elements. For the first time on DVD, viewers will be able to look at Brakhage's meticulously crafted frames one by one. Three Fantastic Journeys  Zeman's wildly inventive and comic take on the surreal adventures of the bragging Baron explodes on to the screen in a riot of colour, visual wit and poetic verve. A celebration of human imagination, The Fabulous Baron Munchausen has become widely recognised as a classic - a timeless work that continues to astonish. Blu-ray Special Features: • HD presentation from the new 4K restoration of the film. • Film Adventurer Karel Zeman (2015, 102 mins): feature length documentary on the life, work and influence of Karel Zeman with contributions from Terry Gilliam, Tim Burton, Koji Yamamura and others • Baron Munchausen: Facts and Fibs (2017, 36 mins): a new and exclusive filmed appreciation by the writer, editor and film historian Michael Brooke • The Birth of a Film Legend • Karel Zeman and the World • Why Zeman Made the Film • The Cast • Zeman's Special Effects Techniques • Karel Zeman, the Legend Continues • Trailer • Museum Karel Zeman promo • 16-page booklet featuring a new essay on the film by journalist and critic Graham Williamson. • New and improved English subtitle translation. • Original Czech soundtrack in Dual Mono 24-bit LPCM audio 3:10 to Yuma  The Human Condition  Walerian Borowczyk - Short Films and Animation  Three Documentaries  Jan Švankmajer: The Complete Short Films  The Man with No Name Trilogy  A Fistfull Of Dollars Clint Eastwood’s legendary “Man With No Name” makes his powerful debut in this thrilling, action-packed classic in which he manipulates two rival bands of smugglers and sets in motion a plan to destroy both in a series of brilliantly orchestrated setups, showdowns and deadly confrontations. For A Few Dollars More Oscar® Winner Clint Eastwood** continues his trademark role in this second installment of the trilogy, this time squaring off with Indio, the territory’s most treacherous bandit. But his ruthless rival, Colonel Mortimer (Lee Van Cleef, High Noon), is determined to bring Indio in first...dead or alive! The Good, The Bad And The Ugly The invincible “Man With No Name” (Eastwood) aligns himself with two gunslingers (Lee Van Cleef and Eli Wallach) to pursue a fortune in stolen gold. But teamwork doesn’t come naturally to such strong-willed outlaws, and they soon discover that their greatest challenge may be to stay focused – and stay alive – in a country ravaged by war. David Cronenberg's Early Works  Transfer (1966), Cronenberg's first short film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg s first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a larger budget, where we find the House of Skin clinic director (Ronald Mlodzik, returning from Stereo) searching for his mentor, Antoine Rouge, who has disappeared following a catastrophic plague. These early amateur feature films, shot in and around Cronenberg's university campus, prefigure his later films' concerns with strange institutions, male/female separation and ESP, echoing the likes of Videodrome, Dead Ringers and Scanners. SPECIAL EDITION CONTENTS: Brand new restorations of four Cronenberg films Original mono audio for all films Optional english subtitles for the deaf and hard of hearing Transfer the Future: Author and critic Kim Newman discusses Cronenberg s early works Sleeve featuring newly illustrated artwork by Gilles Vranckx The Shooting/Ride in the Whirlwind  The Short Films of David Lynch  David Lynch Collection of highly sourght-after David Lynch shorts, including his first works. A must-see for fans of the legendary filmmaker David Lynch, this collecton features six short films from the master of the macabre. Spanning the director's career, from early experiments to more fully realized visions, this disc contains the shorts "Six Men Getting Sick", "The Alphabet", "The Grandmother" "The Amputee", The Cowboy and the Frenchman" and "Lumiere". Each film is preceded by an introduction from the director. Greetings  Greetings, the first film to receive an X certificate in the United States, is a freewheeling satire focusing on a trio of twentysomething friends a conspiracy theorist, a filmmaker, and a voyeur played by De Niro as they try to avoid the Vietnam War draft. Hi, Mom!, originally named Son of Greetings, returns to De Niro s voyeur, now an aspiring maker of adult films, for another humorous glimpse at late-sixties society, this time turning its attentions to experimental theater, cinéma vérité, the African American experience, and the white middle classes. Brought together for the first time and each newly restored by Arrow Films especially for this release these three films offer a fascinating insight into the early careers of two American cinema s major talents. LIMITED EDITION CONTENTS New restoration from a 2K scan of The Wedding Party from the original film negative, carried out exclusively for this release by Arrow FilmsNew restoration from a 2K scan of Greetings and Hi, Mom! from original film materials, carried out exclusively for this release by Arrow FilmsOriginal uncompressed mono soundtracksOptional English subtitles for the deaf and hard of hearing on all three filmsBrand new commentary on Greetings by Glenn Kenny, author of Robert De Niro: Anatomy of an ActorBrand new appreciation of Brian De Palma and Robert De Niro s collaborations by critic and filmmaker Howard S. BergerBrand new interviews with Charles Hirsch, writer-producer of Greetings and Hi, Mom!Brand new interview with actor Gerrit Graham on Greetings, Hi, Mom! and his other collaborations with Brian De PalmaBrand new interview with actor Peter Maloney on Hi, Mom!Hi, Mom! theatrical trailerNewly commissioned artwork by Matthew GriffinLimited collector s edition booklet featuring new writing on the films by Brad Stevens, Chris Dumas and Christina Newland, plus an archive interview with Brian De Palma and Charles Hirsch The Mel Brooks Collection  “Enjoy! Revel! Live!” as Mel says…and “have yourselves one sweetheart of a good time.” Presenting nine hugely popular films from one of cinema’s most celebrated, prolific and funniest filmmakers, Mel Brooks! The undisputed king of hilariously quotable films, Mel has delivered hit after hit after hit, each one as memorable as the next. This nine-disc Blu-rayTM collection includes some of the most sidesplitting, gut-busting, guffaw-inducing films ever made. It really is “good to be the king!”Contains the films Blazing Saddles, Spaceballs, Young Frankenstein, High Anxiety, History Of The World Part 1, Robin Hood: Men In Tights, Silent Movie, To Be Or Not To Be and The Twelve Chairs. The Emigrants / The New Land  Paul Verhoeven Collection  When Turkish Delight (1973) opens on a brutal attack and then a succession of one-night stands, it seems that bohemian artist Eric Vonk (Rutger Hauer, collaborating for the first time with Verhoeven) is a complete jerk. Then a sudden flashback reveals the motivations for both his dreams and behavior, as well as the subject of the photos he spends his time pining for. He meets Olga (a fantastic Monique van de Ven), but their tempestuous relationship is shaken by many peculiar events: a surreal wedding ceremony, unveiling a statue to the Queen, and the death of Olga's father. The real problem is Olga herself, however, which leads to a shock ending many have compared to Love Story. Somewhat dated now, Turkish Delight is nonetheless unmistakably a product of the now-familiar Verhoeven style. Katie Tippel (1975) is a handsome period drama set in 19th-century Holland, based on a true story. The second eldest daughter in a poor family, Katie (Monique van de Ven) must find whatever work is going to make ends meet. As she enters a succession of jobs in which she experiences both exploitation and sexual harassment, she learns that men want her for only one thing and so she enters prostitution. However, she is finally able to escape the poverty trap and ascend the social ladder, particularly when banker Hugo (Rutger Hauer) takes her as his lover. All this is set against a backdrop of social foment as the workers' impatience at poor social conditions increases. Based on real events, Soldier of Orange (1977) tells the story of Dutchman Erik Lanshof (a star-making performance by Rutger Hauer) and a small group of students as they struggle to survive the Nazi occupation to the end of the Second World War. Across a canvas lasting almost three hours, Verhoeven unfolds a saga of friendship, espionage, and romance with almost documentary realism, crafting a deeply affecting film widely regarded as the greatest ever made in Holland. Only two years separate The Fourth Man (1983), Verhoeven's final Dutch language movie, and the explosive commencement of his Hollywood career. This savage comedy shocker could well be seen as a trial run for Basic Instinct, since it features an ice-cold seductress (Renée Soutendijk) with mysterious motivations and sexual preferences. The hallucinatory tale follows a novelist (Jeroen Krabbé) first falling for her, and then feverishly investigating whether she's a serial husband killer. The film is full of what would soon be recognized as Verhoeven trademarks: a little blasphemy, a lot of nudity, dispassionate characters, and hidden agendas. Trilogy of Life  The Decameron Pasolini weaves together stories from Giovanni Boccaccio’s fourteenth-century moral tales in this picturesque free-for-all. The Decameron explores the delectations and dark corners of an earlier and, as the filmmaker saw it, less compromised time. Among the chief delights are a young man’s exploits with a gang of grave robbers, some randy nuns who sin with a strapping gardener, and Pasolini’s appearance as a pupil of the painter Giotto, at work on a massive fresco. One of the director’s most popular films, The Decameron, transposed to Naples from Boccaccio’s Florence, is a cutting takedown of the pieties surrounding religion and sex. 1971 111 minutesColorMonauralIn Italian with English subtitles1.85:1 aspect ratio The Canterbury Tales Eight of Geoffrey Chaucer’s lusty tales come to life on-screen in Pasolini’s gutsy and delirious The Canterbury Tales, which was shot in England and offers a remarkably earthy re-creation of the medieval era. From the story of a nobleman struck blind after marrying a much younger and ultimately promiscuous bride to a climactic trip to a hell populated by friars and demons (surely one of the most outrageously conceived and realized sequences ever committed to film), this is an unendingly imaginative work of merry blasphemy, framed by Pasolini’s portrayal of Chaucer himself. 1972 111 minutesColorMonauralIn Italian with English subtitles1.85:1 aspect ratio Arabian Nights Pasolini traveled to Africa, India, and the Middle East to realize this ambitious cinematic treatment of a handful of the stories from the legendary The Thousand and One Nights. This is not the fairy-tale world of Scheherazade or Aladdin or Ali Baba—instead, the director focuses on the more erotic tales, ones of desire, betrayal, and atonement, framed by the story of a young man’s quest to reconnect with his beloved slave girl. Full of lustrous sets and costumes and stunning location photography, Arabian Nights is a fierce and joyous exploration of human sensuality. 1974 130 minutesColorMonauralIn Italian with English subtitles1.85:1 aspect ratio Godfather Collection  THE GODFATHER: Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather (1972) is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible. After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels.THE GODFATHER PART II: This brilliant companion piece to the original The Godfather continues the saga of two generations of successive power within the Corleone family. Coppola tells two stories in Part II: the roots and rise of a young Don Vito, played with uncanny ability by Robert De Niro, and the ascension of Michael (Al Pacino) as the new Don. Reassembling many of the talents who helped make The Godfather, Coppola has produced a movie of staggering magnitude and vision, and undeniably the best sequel ever made. Robert De Niro won an Oscar®; the film received six Academy Awards, including Best Picture of 1974. THE GODFATHER PART III: One of the greatest sagas in movie history continues! In this third film in the epic Corleone trilogy, Al Pacino reprises the role of powerful family leader Michael Corleone. Now in his 60's, Michael is dominated by two passions: freeing his family from crime and finding a suitable successor. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. Francis Ford Coppola directs Pacino, Garcia, Diane Keaton, Talia Shire, Eli Wallach, Sofia Coppola, Joe Montegna and others in this exciting, long-awaited film that masterfully explores the themes of power, tradition, revenge and love. Seven Academy Award® nominations, including Best Picture. Lone Wolf and Cub  SPECIAL EDITION THREE-BLU-RAY BOX SET FEATURES - New 2K digital restorations of all six films, with uncompressed monaural soundtracks - High-definition presentation of Shogun Assassin, the 1980 English-dubbed reedit of the first two Lone Wolf and Cub films - New interview with Kazuo Koike, writer of the Lone Wolf and Cub manga series and screenwriter on five of the films - Lame d un père, l âme d un sabre, a 2005 documentary about the making of the series - New interview in which Sensei Yoshimitsu Katsuse discusses and demonstrates the real Suio-ryu sword techniques that inspired those in the manga and films - New interview with biographer Kazuma Nozawa about filmmaker Kenji Misumi, director of four of the six Lone Wolf and Cub films - Silent documentary from 1937 about the making of samurai swords, with an optional new ambient score by Ryan Francis - Trailers - New English subtitle translations - PLUS: A booklet featuring an essay and film synopses by Japanese pop culture writer Patrick Macias Sex in the Comics  Bat Pussy  The Wicker Man  The Road Trilogy  Peekarama  The Pretty Peaches Trilogy  This is a region free 2-disc Blu-ray set. Master of underground cinema, Alex DeRenzy, created a classic with his 1978 film, PRETTY PEACHES. A decade later, he made two sequels, each with its own unique take on 'Peaches.' Now, enjoy all three films in the trilogy fully uncut, uncensored, widescreen and restored on Blu-ray for the first time!PRETTY PEACHES: After attending her father's wedding, Peaches crashes her jeep in the forest only to wake up with complete amnesia. She is quickly rescued by two manipulative men who hope to sell her back to her family for a hefty ransom. Alex deRenzy's acclaimed classic stars Desiree Cousteau and Juliet Anderson in their screen debut, along with Joey Silvera, John Leslie, and Paul Thomas. PRETTY PEACHES 2: Young Peaches is curious about sex. Her boyfriend can't teach her and her mother won't so, on the advice of her father, she hits the road to visit crazy uncle Howard and his most peculiar family... PRETTY PEACHES 3: Peaches is feeling that her life in the trailer park is empty. On the advice of her lesbian doctor, she travels to San Francisco seeking spiritual enlightenment but soon finds herself engulfed in the bizarre world of a sex obsessed traveling Evangelist. Indiana Jones: The Complete Adventures  The Qatsi Trilogy  KOYAANISQATSI An unorthodox work in every way, Godfrey Reggio’s Koyaanisqatsi was nevertheless a sensation when it was released in 1983. The film wordlessly surveys the rapidly changing environments of the northern hemisphere. The director, cinematographer Ron Fricke, and composer Philip Glass created an astonishing collage; the film shuttles the viewer from one jaw-dropping vision to the next, moving from images of untouched nature to others depicting human beings’ increasing reliance on technology. Often using hypnotic time-lapse photography, Koyaanisqatsi looks at our world from an angle unlike any other. 1983 86 minutesColor5.1 surround1.85:1 aspect ratio POWAQQATSI Five years after Godfrey Reggio stunned audiences with Koyaanisqatsi, he joined forces again with composer Philip Glass and other collaborators for a second chapter. Here, Reggio turns his sights on third world nations in the southern hemisphere. Forgoing the sped-up aesthetic of the first film, Powaqqatsi employs a meditative slow motion in order to reveal the everyday beauty of the traditional ways of life of native people in Africa, Asia, and South America, and to show how those cultures are being eroded as their environment is gradually taken over by industry. This is the most intensely spiritual segment of Reggio’s philosophical and visually remarkable Qatsi Trilogy. 1988 99 minutesColor5.1 surround1.85:1 aspect ratio NAQOYQATSI Godfrey Reggio takes on the digital revolution in the final chapter of his Qatsi Trilogy, Naqoyqatsi. With a variety of cinematic techniques, including slow motion, time-lapse, and computer-generated imagery, the film tells of a world that has completely transitioned from a natural environment to a human-made one. Globalization is complete, all of our interactions are technologically mediated, and all images are manipulated. From this (virtual) reality, Reggio sculpts a frenetic yet ruminative cinematic portrait of a world that has become officially postlanguage. 2002 89 minutesColor5.1 surround1.78:1 aspect ratio Ghostbusters  The Quay Brothers: Collected Short Films  This new Blu-ray collection of fifteen of the Quays films allows us to see their work in all its astonishing detail and ravaged beauty. The collection also includes a remarkable new short film by Christopher Nolan, a long-time fan of the Quays, as well as audio commentaries on six of the films and a 30-page booklet with an introduction by Nolan, an updated essay by film critic Michael Atkinson and an extensive Quay Brothers Dictionary. All films are presented in the highest possible quality from film-to-digital transfers made under the personal supervision of the Quay Brothers. Includes the films: The Cabinet of Jan vankmajer (1984, 14 mins) This Unnameable Little Broom (or The Epic of Gilgamesh) (1985, 11 mins)* Street of Crocodiles (1986, 21 mins)* Rehearsals for Extinct Anatomies (1988, 14 mins) Stille Nacht I - Dramolet (1988, 1 min)* The Comb (1990, 18 mins) Anamoprhosis (1991, 14 mins) Stille Nacht II (Are We Still Married?) (1992, 3 mins)* Stille Nacht III (Tales from Vienna Woods) (1993, 4 mins)* Stille Nacht IV (Can't Go Wrong Without You) (1994, 4 mins) In Absentia (2000, 20 mins)* The Phantom Museum (2003, 12 mins) Maska (2010, 24 mins)** Through the Weeping Glass (2011, 31 mins)** Unmistaken Hands (2013, 26 mins)** and Quay a film by Christopher Nolan (2015, 8 mins)** *Includes Quay Brothers Audio Commentary **Not in the previously available Quay DVD collection Total running time: 225 minutes. Includes a 28-page booklet and special digipak packaging. Revenge of the Nerds  Back to the Future Trilogy  Deleted Scenes Tales from the Future: In the Beginning... Tales from the Future: Time to Go Tales from the Future: Keeping Time Q&A Commentary with Director Robert Zemeckis and Producer Bob Gale Feature Commentary with Producers Disc 2: Back to the Future Part II Deleted Scenes Tales from the Future: Time Flies Physics of Back to the Future Q&A Commentary with Director Robert Zemeckis and Producer Bob Gale Feature Commentary with Producers Disc 3: Back to the Future Part III Deleted Scenes Tales from the Future: Third Time's the Charm Tales from the Future: The Test of Time Back to the Future: The Ride Q&A Commentary with Director Robert Zemeckis and Producer Bob Gale Feature Commentary with Producers Disc 4: Bonus Disc Making the Trilogy: Chapters One, Two, and Three Michael J. Fox Q&A FAQ's About the Trilogy Original Makeup Tests Outtakes Nuclear Test Site Ending Storyboard Sequence Production Design Designing the DeLeorean, Time Travel, Hill Valley, and the Campaign Hoverboard Test Evolution of Visual Effects Secrets of the Back to the Future Trilogy Music Videos Trailers All-New 2015 Bonus Features Doc Brown Saves the World: Short featuring Christopher Lloyd OUTATIME: Restoring the DeLorean: The 2012 restoration of the most iconic car in film history Looking Back to the Future: 9-part retrospective feature on the trilogy's legacy Back to the Future: The Animated Series: 2 episodes ("Brothers" and "Mac the Black") from the 1991 series featuring live action segments with Christopher Lloyd as Doc Brown And More Hardcore Collection: Director's Cut  Jirí Barta: Labyrinth of Darkness  The Ribald Tales of Canterbury  Solid Metal Nightmares: The Films of Shinya Tsukamoto  Peter Greenaway Box  Leningrad Cowboys  Set Includes: Leningrad Cowboys Go America A struggling Siberian rock band leaves the lonely tundra to tour the United States because, as they are told, “they put up with anything there.” Aki Kaurismäki’s winningly aloof farce follows the men as they bravely make their way across the New World, carrying a coffin full of beer and sporting hairdos like unicorn horns. Leningrad Cowboys Go America was such a sensation that the band gained a real-life cult following. 1989 79 Minutes Color Stereo 1.85:1 Aspect Ratio Leningrad Cowboys Meet Moses: Living in Mexico with a top-ten hit under their belts, the Leningrad Cowboys have fallen on hard times. When they move north to rejoin their manager (Kaurismäki mainstay Matti Pellonpää) for a gig in Coney Island, he seems to have turned into a delusional self-proclaimed prophet who wishes to lead them back to the promised land of Siberia. Like the first installment, Leningrad Cowboys Meet Moses is a road movie, but this time the humorous hardships come from the rocky terrain of the new Europe. 1994 94 Minutes Color Stereo 1.85:1 Aspect Ratio Total Balalaika Show: Kaurismäki’s documentary of the Leningrad Cowboys’ massive Helsinki Square concert, on Finland’s largest stage, is a loving tribute to the rock band he made famous. Seventy thousand people from Finland and Russia turned out for this megaspectacle, with musical selections, from Sibelius to Bob Dylan, that crossed genre and national divides. And the band was joined onstage by the 150-member Russian Red Army Choir; Variety called it “the most incongruous—and inspired—cross-cultural pairing since Nureyev danced with Miss Piggy.” Also Featuring the following Leningrad Cowboys music videos: Rocky VI, Thru the Wire, L.A. Woman, These Boots, and Those Were the Days Hot Shots!  Three Colors: Blue, White, Red  This boldly cinematic trio of stories about love and loss from Krzysztof Kieślowski (The Double Life of Véronique) was a defining event of the art-house boom of the 1990s. The films were named for the colors of the French flag and stand for the tenets of the French Revolution—liberty, equality, and fraternity—but this hardly begins to explain their enigmatic beauty and rich humanity. Set in Paris, Warsaw, and Geneva, and ranging from tragedy to comedy, Blue, White, and Red (Kieślowski’s final film) examine with artistic clarity a group of ambiguously interconnected people experiencing profound personal disruptions. Marked by intoxicating cinematography and stirring performances by such actors as Juliette Binoche (Summer Hours), Julie Delpy (Before Sunset), Irène Jacob (The Double Life of Véronique), and Jean-Louis Trintignant (Z), Kieślowski’s Three Colors is a benchmark of contemporary cinema.Blue In the devastating first film of the Three Colors trilogy, Juliette Binoche gives a tour de force performance as Julie, a woman reeling from the tragic deaths of her husband and young daughter. But Blue is more than just a blistering study of grief; it’s also a tale of liberation, as Julie learns truths about her late composer husband’s life and attempts to free herself of the past. Shot in icily gorgeous tones by Sławomir Idziak (The Double Life of Véronique) and set to an extraordinary operatic score by Zbigniew Preisner (The Secret Garden), Blue is an overwhelming sensory experience. 1993 98 minutes Color 2.0 surround In French with English subtitles 1.85:1 aspect ratio White The most playful but also the grittiest of Kieślowski’s Three Colors films follows the adventures of Karol Karol (The Pianist’s Zbigniew Zamachowski), a Polish immigrant living in France. The hapless hairdresser opts to leave Paris for his native Warsaw after his wife (Julie Delpy) sues him for divorce (her reason: he was never able to perform in bed) and then frames him for arson after setting her own salon ablaze. White, which goes on to chronicle Karol Karol’s elaborate revenge plot, manages to be both a ticklish dark comedy about the economic inequalities of Eastern and Western Europe and a sublime reverie about twisted love. 1993 91 minutes Color 2.0 surround In French and Polish with English subtitles 1.85:1 aspect ratio Red Krzysztof Kieślowski closes his Three Colors trilogy in grand fashion with an incandescent meditation on fate and chance, starring Irène Jacob as a sweet-souled yet somber runway model in Geneva whose life intersects with that of a bitter retired judge, played by Jean Louis Trintignant. Their blossoming friendship forces each to open up in surprising emotional ways. Meanwhile, just down the street, a seemingly unrelated story of jealousy and betrayal unfolds. Red is an intimate look at forged connections and a splendid final statement from a remarkable filmmaker at the height of his powers. 1994 99 minutes Color 2.0 surround In French with English subtitles 1.85:1 aspect ratio Ace Ventura Duology  The Before Trilogy  The Fast and the Furious  The Hire  Anchorman: The Legend of Ron Burgundy  50 Years of Janus Films  One Spectacular DVD Box Set Janus Films opened American viewers’ eyes to the pleasures of Ingmar Bergman, Federico Fellini, and François Truffaut at the height of their artistic powers. Celebrate the fiftieth anniversary of this world-renowned distribution company with Essential Art House: 50 Years of Janus Films, an expansive collectors’ box set featuring fifty classic films on DVD and a lavishly illustrated hardcover book that tells the story of Janus Films through an essay by film historian Peter Cowie, a tribute from Martin Scorsese, and notes on each of the fifty films. • Eight Academy Awards • Twenty-eight Academy Award nominations • Two Palme d’or awards Let the Right One In  Django Unchained  Success leads Schultz to free Django, though the two men choose not to go their separate ways. Instead, Schultz seeks out the South’s most wanted criminals with Django by his side. Honing vital hunting skills, Django remains focused on one goal: finding and rescuing Broomhilda (Kerry Washington), the wife he lost to the slave trade long ago. Django and Schultz’s search ultimately leads them to Calvin Candie (Academy Award®-nominee Leonardo DiCaprio), the proprietor of “Candyland,” an infamous plantation. Exploring the compound under false pretenses, Django and Schultz rouse the suspicion of Stephen (Academy Award®-nominee Samuel L. Jackson), Candie’s trusted house slave. Their moves are marked, and a treacherous organization closes in on them. If Django and Schultz are to escape with Broomhilda, they must choose between independence and solidarity, between sacrifice and survival… It  Ingmar Bergman's Cinema  Essential Fellini  |
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