Library
LucasWilkinson.com
Collection Total:
2,296 Items
Last Updated:
Dec 14, 2018
Crisis
Ingmar Bergman
A Ship to India
Ingmar Bergman
Port of Call
Ingmar Bergman
Thirst
Ingmar Bergman
To Joy
Ingmar Bergman
Summer Interlude
Ingmar Bergman
Waiting Women
Ingmar Bergman
Sawdust and Tinsel
Ingmar Bergman
Summer with Monika
Ingmar Bergman
A Lesson in Love
Ingmar Bergman
Dreams
Ingmar Bergman
Smiles of a Summer Night
Ingmar Bergman
The Seventh Seal
Ingmar BergmanFew films have had as large a cultural impact as Ingmar Bergman's The Seventh Seal (Det sjunde inseglet). Disillusioned and exhausted after a decade of battling in the Crusades; a knight (Max von Sydow) encounters Death on a desolate beach and challenges him to a fateful game of chess. Much studied; imitated; even parodied; but never outdone; Bergman's stunning allegory of man's search for meaning was one of the benchmark foreign imports of America's 1950s art house heyday; pushing cinema's boundaries and ushering in a new era of moviegoing.
The Seventh Seal
Ingmar BergmanFew films have had as large a cultural impact as Ingmar Bergman’s The Seventh Seal (Det sjunde inseglet). Disillusioned and exhausted after a decade of battling in the Crusades, a knight (Max von Sydow) encounters Death on a desolate beach and challenges him to a fateful game of chess. Much studied, imitated, even parodied, but never outdone, Bergman’s stunning allegory of man’s search for meaning was one of the benchmark foreign imports of America’s 1950s art house heyday, pushing cinema’s boundaries and ushering in a new era of moviegoing.

SPECIAL EDITION FEATURES:
New, restored high-definition digital transfer with uncompressed monaural soundtrack
Introduction by Ingmar Bergman, recorded in 2003
Audio commentary by Bergman expert Peter Cowie
A new afterword to the commentary by Cowie
Bergman Island (2006), an 83-minute documentary on Bergman by Marie Nyreröd, featuring in-depth and revealing interviews with the director
Archival audio interview with Max von Sydow
A 1998 tribute to Bergman by filmmaker Woody Allen
Theatrical trailer
Bergman 101, a selected video filmography tracing Bergman’s career, narrated by Cowie
Optional English-dubbed soundtrack
New and improved English subtitle translation
PLUS: A booklet featuring an essay by critic Gary Giddins

Stills from The Seventh Seal (Click for larger image)
The Seventh Seal
Ingmar Bergman
Wild Strawberries
Ingmar BergmanWeaving a tapestry of memory and dreams, Ingmar Bergman delves into the past of aged professor Isak Borg, en route to receive an award from his alma mater for a life he no longer understands. Following directly on the heels of his international breakthrough The Seventh Seal, the alternately warm and nightmarish Wild Strawberries cemented Bergman as the leading art-house visionary of his era.
Wild Strawberries
Ingmar BergmanTraveling to accept an honorary degree, Professor Isak Borg—masterfully played by veteran director Victor Sjöström (The Phantom Carriage)—is forced to face his past, come to terms with his faults, and make peace with the inevitability of his approaching death. Through flashbacks and fantasies, dreams and nightmares, Wild Strawberries dramatizes one man’s remarkable voyage of self-discovery. This richly humane masterpiece, full of iconic imagery, is a treasure from the golden age of art-house cinema and one of the films that catapulted Ingmar Bergman (The Seventh Seal) to international acclaim.
Wild Strawberries
Ingmar Bergman
Brink of Life
Ingmar Bergman
The Magician
Ingmar BergmanTHE MAGICIAN (Ansiktet), directed by Ingmar Bergman (The Seventh Seal, Fanny and Alexander), is an engaging, brilliantly conceived tale of deceit from one of cinema’s premier illusionists. Max von Sydow (The Virgin Spring, The Exorcist) stars as Dr. Vogler, a mid-nineteenth-century traveling mesmerist and peddler of potions whose magic is put to the test by a small town’s cruel, eminently rational minister of health, Dr. Vergerus (Wild Strawberries’ Gunnar Bjornstrand). The result is a diabolically clever battle of wits that’s both frightening and funny, shot in rich, gorgeously gothic black and white.
The Magician
Ingmar Bergman
The Devil's Eye
Ingmar Bergman
The Virgin Spring
Ingmar BergmanWinner of the Academy Award for best foreign-language film, Ingmar Bergman’s The Virgin Spring is a harrowing tale of faith, revenge, and savagery in medieval Sweden. With austere simplicity, the director tells the story of the rape and murder of the virgin Karin, and her father Töre’s ruthless pursuit of vengeance, set in motion after the killers visit the family’s farmhouse. Starring frequent Bergman collaborator and screen icon Max von Sydow, the film is both beautiful and cruel in its depiction of a world teetering between paganism and Christianity.

BLU-RAY SPECIAL EDITION FEATURES New 2K digital restoration, with uncompressed monaural soundtrackAudio commentary from 2005 by Ingmar Bergman scholar Birgitta SteeneNew video interviews from 2005 with actors Gunnel Lindblom and Birgitta PetterssonIntroduction by filmmaker Ang Lee from 2005An audio recording of a 1975 American Film Institute seminar by director Ingmar BergmanAlternate English-dubbed soundtrackPLUS: A booklet featuring essays by film scholar Peter Cowie and screenwriter Ulla Isaksson and the medieval ballad on which the film is based
The Virgin Spring
Ingmar Bergman
Through a Glass Darkly
Ingmar Bergman
The Silence
Ingmar Bergman
Winter Light
Ingmar Bergman
All These Women
Ingmar Bergman
Persona
Ingmar Bergman
Hour of the Wolf
Ingmar Bergman
Shame
Ingmar Bergman
The Passion of Anna
Ingmar Bergman
The Rite
Ingmar Bergman
Fårö Document
Ingmar Bergman
The Touch
Ingmar Bergman
Cries and Whispers
Ingmar Bergman
Cries and Whispers
Ingmar Bergman
Scenes from a Marriage
Ingmar Bergman
The Magic Flute
Ingmar Bergman
The Serpent's Egg
Ingmar Bergman
Autumn Sonata
Ingmar Bergman
Fårö Document 1979
Ingmar BergmanMidway through his time in Germany, Bergman returned to Fårö for his second documentary exploration of the remote Swedish island he loved and the socio­economic realities experienced by those who lived there. Longer, more optimistic, and less ascetic than its predecessor, this film charts a calendar year in the life of the island’s 673 inhabitants, many of whom he observes working tirelessly shearing sheep, thatching roofs, and slaughtering livestock, as well as going about various communal rituals. Distilled from twenty-eight hours of material, Fårö Document 1979 is a lyrical depiction of life’s cyclical nature.
From the Life of the Marionettes
Ingmar BergmanMade during his self-imposed exile in Germany, Ingmar Bergman’s From the Life of the Marionettes offers a lacerating portrait of a destructive marriage and a complex psychological analysis of a murder. Businessman Peter nurses fantasies of killing his wife, Katarina, until a prostitute becomes his surrogate prey. In the aftermath of the crime, Peter and Katarina’s psychiatrist and others attempt to explain its roots. Jumping back and forth in time, this compelling film moves seamlessly between seduction and repulsion, and the German cast is superb.
Fanny and Alexander
Ingmar BergmanThrough the eyes of ten-year-old Alexander, we witness the delights and conflicts of the Ekdahl family, a sprawling bourgeois clan in turn-of-the-twentieth-century Sweden. Ingmar Bergman (The Seventh Seal) intended Fanny and Alexander as his swan song, and it is the legendary director’s warmest and most autobiographical film, a four-time Academy Award–winning triumph that combines his trademark melancholy and emotional intensity with immense joy and sensuality. The Criterion Collection is proud to present both the theatrical release and the original five-hour television version of this great work. Also included in the box set is Bergman’s own feature-length documentary The Making of “Fanny and Alexander,” a unique glimpse into his creative process.
Fanny and Alexander
Ingmar BergmanThrough the eyes of ten-year-old Alexander, we witness the delights and conflicts of the Ekdahl family, a sprawling bourgeois clan in turn-of-the-twentieth-century Sweden. Ingmar Bergman intended Fanny and Alexander as his swan song, and it is the director’s warmest and most autobiographical film, an Academy Award–winning triumph that combines his trademark melancholy and emotional intensity with immense joy and sensuality. Bergman described Fanny and Alexander as “the sum total of my life as a filmmaker.”
Fanny and Alexander
Ingmar BergmanThrough the eyes of ten-year-old Alexander, we witness the delights and conflicts of the Ekdahl family, a sprawling bourgeois clan in turn-of-the-twentieth-century Sweden. Ingmar Bergman intended Fanny and Alexander as his swan song, and it is the director’s warmest and most autobiographical film, an Academy Award–winning triumph that combines his trademark melancholy and emotional intensity with immense joy and sensuality. Bergman described Fanny and Alexander,presented here in both the theatrical and the five-hour television versions, as “the sum total of my life as a filmmaker.” And in this, the full-length (312-minute) version of his triumphant valediction, his vision is expressed at its fullest.
After the Rehearsal
Ingmar BergmanWith this spare chamber piece, set in an empty theater, Ingmar Bergman returned to his perennial theme of the permeability of life and art. Lingering after a rehearsal for August Strindberg’s A Dream Play (a touchstone for the filmmaker throughout his career), eminent director Henrik (Erland Josephson) enters into a frank and flirtatious conversation with his up-and-coming star, Anna (Lena Olin), leading him to recall his affair with Anna’s late mother, the self-destructive actress Rakel (Ingrid Thulin). The sharply written and impeccably performed After the Rehearsal, originally made for television, pares away all artifice to examine both the allure and the cost of a life in the theater.
Saraband
Ingmar BergmanWith his final film, Ingmar Bergman returned to two of his most richly drawn characters: Johan (Erland Josephson) and Marianne (Liv Ullman), the couple from Scenes from a Marriage. Dropping in on Johan’s secluded country house after decades of separation, Marianne reconnects with the man she once loved. Nearby, the widowed musician Henrik (Börje Ahlstedt), Johan’s son from an earlier marriage, clutches desperately to his only child, the teenage Karin (Julia Dufvenius). A chamber piece performed by four wounded characters and suffused with disappointment and forgiveness, Saraband is a generous farewell to cinema from one of its greatest artists.
Ingmar Bergman's Cinema
Ingmar Bergman